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Scorsese’s is a fallen world. Like Cain, his tortured characters are driven further into the wastelands – whether the desert or the untamed streets of New York – by their acts of almost mythical violence, until any remaining vestige of hope or virtue is finally extinguished.
While Dan Brown and Mel Gibson can draw a crowd, Michael McGirr finds their stories still miss the mark.
Don Gazzard visits the new academic centre at St Mary’s and Newman Colleges
A reflection on contemporary Christianity
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